TEXTS IN BOOKS AND CATALOGUES

• Al Berto

  "A casa desabitada", in Julião Sarmento - Dias de Escuro e de Luz, Porto, Portugal, 1990, Galeria Pedro Oliveira, exhibition catalogue, p. 3 (Portuguese) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 73-75 (Portuguese).

• Diana Almeida

  "Entre textos: Julião Sarmento contempla a Raymond Carver", in Julião Sarmento - Literal, Granada, Spain, 2008, Centro José Guerrero / Diputación de Granada / Fundación Mapfre, exhibition catalogue, pp. 118-130 (Spanish) (reprint).

• Mara Ambrozic

  "The Perfect Paradox / Le paradoxe parfait", in Julião Sarmento - La chose, même / The Real Thing, Paris, France, 2016, Fondation Calouste Gulbenkian - Délégation en France, Paris / MER Paperkunsthalle, Gent, exhibition catalogue, pp. 71-75 (English) and pp. 77-81 (French).

• Ana Anacleto

  "Voyeurismo ou o prazer de ser espectador", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 282 (Portuguese). Reprinted as "Voyeurism, or the Pleasure of Being a Spectator" in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 282 (English).

• Ana Arez

  "Transformar... / Transformation...", in Julião Sarmento, Sintra, Portugal, 1995, Palácio Nacional de Sintra, exhibition catalogue, pp. 07-08 (Portuguese / English).

• Jan Avgikos

  "Julião Sarmento: Sólo me preocupa mi vida privada / Només em preocupa la meua vida privada / I only care about my personal life", in Julião Sarmento, València, Spain, 1994, IVAM Centre del Carme, exhibition catalogue, pp. 09-12, 98-101 and 108-111 (Spanish / Catalan / English) - Reprinted as "Julião Sarmento: Só me interessa a minha vida pessoal" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 136-144 (Portuguese) .

• Simon Baker

  "Narrative as Shell in the Work of Julião Sarmento", in Julião Sarmento, Barcelona, Catalunya, Spain, 2003, Ediciones Polígrafa - Colección 20_21, book, pp. 39-63 (English) - Reprinted as "La narración como armazón en la obra de Julião Sarmento" in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 39-63 (Spanish) - Reprinted as "A narrativa enquanto concha na obra de Julião Sarmento" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 282-295 (Portuguese) .

• John Baldessari

  "The Guy Who Introduced the LBD into Art", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 206 (English). Reprinted as "O tipo que introduziu o LBD na arte" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 206 (Portuguese).

• Ami Barak

  "Julião Sarmento: The Very Real Thing / "The Real Thing - La chose, même"", in Julião Sarmento - La chose, même / The Real Thing, Paris, France, 2016, Fondation Calouste Gulbenkian - Délégation en France, Paris / MER Paperkunsthalle, Gent, exhibition catalogue, pp. 27-31 (English) and 33-37 (French).

• José Barrias

  "Untitled", in Pinturas em Papel, Lisboa, Portugal, 1982, ARTA, Largo do Picadeiro, 10, 2º, exhibition catalogue, insert (Portuguese). Reprinted in Julião Sarmento: Pinturas em Papel, Coimbra, 1982, Círculo de Artes Plásticas, exhibition catalogue, insert (Portuguese). Reprinted in 10 Contemporâneos, Porto, 1992, Fundação de Serralves, exhibition catalogue, p. 74 (Portuguese).

• David Barro

  "Julião Sarmento, Without", in Julião Sarmento - Without, Santiago de Compostela, 2018, CGAC Centro Galego de Arte Contemporânea, Exhibition catalogue, pp. 19-49 (Galician); 69-101 (Spanish); 121-153 (English).

  "Julião Sarmento... Guest or Host?", in Julião Sarmento: Guest or Host?, A Coruña, Spain, 2014, Fundación Luis Seoane, A Coruña / CAAM - Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, exhibition catalogue, pp. 11-24 (Galician). Reprinted in Julião Sarmento: Guest or Host?, A Coruña, 2014, Fundación Luis Seoane / CAAM - Centro Atlántico  de Arte Moderno, Las Palmas de Gran Canaria, exhibition catalogue, pp. 11-24 (Spanish). Reprinted in Julião Sarmento: Guest or Host?, A Coruña, 2014, Fundación Luis Seoane / CAAM - Centro Atlántico  de Arte Moderno, Las Palmas de Gran Canaria, exhibition catalogue, pp. 11-24 (English).

  "Todo pensamiento emite una jugada de dados. / Tot pensament emet una jugada de daus. / Every Thought Proposes a Game of Dice.: Palabras imposibles para Julião Sarmento / Paraules impossibles per a Julião Sarmento / Impossible Words for Julião Sarmento", in Julião Sarmento - The Players, Barcelona, Catalunya, Spain, 2006, Galería Joan Prats, exhibition catalogue, pp. 4-7, 32-35 and 36-39 (Spanish / Catalan / English).

  "Crer ou não crer? / To Believe or not To Believe?: A imagem como experiência impossível nas obras de Julião Sarmento / The image as an impossible experience in the work of Julião Sarmento", in Julião Sarmento - Ghosts, Coimbra, Portugal, 2004, Centro de Artes Visuais – Encontros de Fotografia, exhibition catalogue, pp. 18-48 and 52-80 (Portuguese / English).

• Regine Basha

  "Introduction / Avant-Propos: The Rethorical Fragment / Le Fragment Rhétorique", in Julião Sarmento - The White Paintings, Montréal, Québéc, Canada, 1994, Centre des Arts Saidye Bronfman, exhibition catalogue, pp. 4-5 and 6-7 (English / French).

• Eduardo Batarda

  "MYRIAM, Lisboa, Novembro 1973", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 36 (Portuguese). Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 36 (English).

• Marina Bellei

  "Julião Sarmento: La mostra e l'artista / Frammenti, montaggio e seduzione / Il mito di Baubo / I dipinti bianchi", in Julião Sarmento - Giornale di Mostra, Bologna, Italy, 1998, Galleria d'Arte Moderna, exhibition folder, pp. 1-4 (Italian).

• Livia Benedetti

  "Julião Sarmento", in No Habrá Nunca una Puerta. Estás Adentro Obras de la Coleção Teixeira de Freitas, Madrid, Spain, 2019, Santander Fundación, p. 225.

• Neal Benezra

  "Julião Sarmento", in Julião Sarmento: Fundamental Accuracy, Washington, D.C., USA, 1999, Hirshhorn Museum and Sculpture Garden, exhibition catalogue, pp. 2-5 (English).

• Léa Bismuth

  "Julião Sarmento: Forget Me", in Galerie Templon 50 Years, Paris, France, 2016, Galerie Templon, Paris & Brussels, p. 819.

• José Luis Brea

  "Las Olas, 1978", in Afinidades Electivas – Elective Affinities, Madrid, Spain, 2005, ARCO/IFEMA, book, pp. 142-145 (Spanish / English) - Reprinted in Julião Sarmento - Literal, Granada, 2008, Centro José Guerrero, exhibition catalogue, pp. 146-148 (Spanish).

• Dan Cameron

  "Tales from the Reconstruction / Contes de la reconstruction", in Julião Sarmento - The White Paintings, Montréal, Québéc, 1994, Centre des Arts Saidye Bronfman, exhibition catalogue, pp. 8-12 and 39-44 (English / French) - Reprinted as "Historias de la reconstrucción" in Julião Sarmento Serie “Dias de Escuro e de Luz” / “Emma” / “O Rosto das Palavras” / “Pina” / “New York” / “O Percurso do Sol” Series, Barcelona, 2008, Ediciones Polígrafa, book, pp. 59-60 and 61-62 (Spanish / English) - Reprinted as "Contos da reconstrução" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 127-135 (Portuguese).

• Ligia Canongia

  "Julião Sarmento e o mundo erótico", in Julião Sarmento - Grace Under Pressure / Elegância em Tensão, São Paulo, SP, Brazil, 2009, Estação Pinacoteca, Pinacoteca do Estado de São Paulo, exhibition catalogue, pp. 72-73 (Portuguese).

• Jorge Castanho

  "Metalúrgica Alentejana", in Juan Muñoz / Julião Sarmento, Beja, Portugal, 1993, Escudeiros, Galeria Municipal de Beja, exhibition catalogue, pp. 4-6 and 6-7 (Portuguese / English).

• Omar-Pascual Castillo

  "Cristal Opaco...: O anotaciones acerca de la clarividencia del deseo según la obra de Julião Sarmento", in Julião Sarmento: Guest or Host?, A Coruña, Spain, 2014, Fundación Luis Seoane, A Coruña / CAAM - Centro Atlántico de Arte Moderno, Las Palmas de Gran Canaria, exhibition catalogue, pp. 189-191 (Spanish). Reprinted as "Cristal Opaco... ou anotacións acerca da clarividencia do desexo segundo a obra de Julião Sarmento" in Julião Sarmento: Guest or Host?, A Coruña, 2014, Fundación Luis Seoane / CAAM - Centro Atlántico  de Arte Moderno, Las Palmas de Gran Canaria, exhibition catalogue, pp. 189-191 (Galician). Reprinted as "Opaque Glass - or, Notes on the Shrewdness of Desire after the Work of Julião Sarmento" in Julião Sarmento: Guest or Host?, A Coruña, 2014, Fundación Luis Seoane / CAAM - Centro Atlántico  de Arte Moderno, Las Palmas de Gran Canaria, exhibition catalogue, pp. 189-191 (English).

• Germano Celant

  "Julião Sarmento: A Sensual Revelation", in Julião Sarmento, Milano, Italy, 1997, Electa, book, pp. 45-53, 83-88, 105-110, 147-152 and 185-192 (English).

  "Julião Sarmento: Una Rivelazione Sensuale", in Julião Sarmento, Lisboa, Portugal, 1997, Assírio & Alvim, book, pp. 45-53, 83-88, 105-110, 147-152 and 185-192 (Portuguese).

• António Cerveira Pinto

  "Os Prazeres da Alcamé / The Pleasures of Alcamé", in Julião Sarmento: Pinturas 1981-1982, Setúbal, Portugal, 1982, Casa de Bocage - Galeria Municipal de Artes Visuais, poster/catalogue (Portuguese / English).

  "Julião Sarmento: 1947", in Julião Sarmento: 1947, Zagreb, Yugoslavia, 1980, Galerije Suvremene Umjetnosti, Galerije Grada Zagreba, poster/catalogue (Croatian / English).

  "Commentaire", in 11e. Biennale de Paris, Paris, France, 1980, Musée d'Art Moderne de la Ville de Paris, exhibition catalogue, p. 205 (French) - Reprinted as "Comentário" in 11ª Bienal de Paris, Lisboa, 1981, Galeria Nacional de Arte Moderna, exhibition catalogue, p. 56 (Portuguese).

  "Julião Sarmento: GNAIT", in Galeria CAPC - Círculo de Artes Plásticas de Coimbra, Coimbra, Portugal, 1980, Galeria capc, Círculo de Artes Plásticas de Coimbra, book/exhibition catalogue, p. 36 (Portuguese / English).

• Alicia Chillida

  "A Julião Sarmento / To Julião Sarmento", in Julião Sarmento - Flashback, Madrid, Spain, 1999, MNCARS Museo Nacional Centro de Arte Reina Sofía, exhibition catalogue, p. 203 (Spanish / English).

• Nuno Crespo

  "Olhar Animal", in Julião Sarmento: Olhar Animal, Póvoa de Varzim, 2013, Casino da Póvoa, monograph, pp.12-39 (Portuguese).

• Tereza Cruz

  "Notas sobre Charm de Julião Sarmento", in Sobre Julião Sarmento, Lisboa, Portugal, 2012, Quetzal Editores, book, pp. 225-233 (Portuguese).

• Paulo Cunha e Silva

  "Julião Sarmento: Lady-in-waiting", in O Castelo em 3 Atos, Guimarães, 2013, Guimarães 2012 - Capital Europeia da Cultura, exhibition catalogue, pp. 56-57 (Portuguese / English).

• Antonio Damasio

  "A World in Its Hands", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 260 (English). Reprinted as "Um mundo nas suas mãos" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 260 (Portuguese).

  "Looking at Julião Sarmento's Work Through the Lenses of Neurobiology", in Julião Sarmento - Echo, Eindhoven, The Netherlands, 2004, Van Abbemuseum Eindhoven / Richter Verlag, exhibition catalogue, pp. 57-69 (English) - Reprinted as "A obra de Julião Sarmento através das lentes da neurobiologia" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 334-346 (Portuguese) .

• Hanna Damasio

  "A World in Its Hands", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 260 (English). Reprinted as "Um mundo nas suas mãos" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 260 (Portuguese).

• Bert De Beul

  "Julião Sarmento", in De Verzameling II / La Collection II / The Collection II, Antwerpen, Belgium, 1990, MUHKA Museum van Hedendaagse Kunst Antwerpen, exhibition catalogue, pp. 46, 108-109 and 130-131 (Flemish / French / English).

• Luis de Moura Sobral

  "Julião Sarmento en noir et blanc ou les coïncidences maniéristes / Julião Sarmento in Black and White or the Coincidences of Mannerism", in Julião Sarmento - The White Paintings, Montréal, Québéc, 1994, Centre des Arts Saidye Bronfman, exhibition catalogue, pp. 13-15 and 45-47 (French / English) - Reprinted as "Julião Sarmento em branco e negro ou as coincidências maneiristas" in Julião Sarmento, Braga, 1996, Museu Nogueira da Silva, Galeria da Universidade, exhibition catalogue, pp. 15-18 (Portuguese).

• Ernesto de Sousa

  "Untitled", in Julião Sarmento: Don Juan, Porto, Portugal, 1977, Modulo, poster/catalogue (Portuguese / English).

  "Foreword to a Triple Exhibition: Fernando Calhau, Julião Sarmento and Ernesto de Sousa", in Ernesto de Sousa – Fernando Calhau – Julião Sarmento, Lublin, Poland, 1976, Galerie LDK Labirynt, exhibition catalogue, pp. 1-3 (Polish / English).

  "Untitled", in Julião Sarmento, Lisboa, Portugal, 1976, Galeria de Arte Moderna, Sociedade Nacional de Belas Artes, exhibition catalogue, pp. 1-2 (Portuguese) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 17-18 (Portuguese).

• Chris Dercon

  "Voorwoord / Foreword: "...op weg naar het Zuiden paseer je altijd die mensen die willen blijven waar ze zijn" / "... heading South one always encounters those who want to stay where they are."", in Julião Sarmento, Rotterdam, The Netherlands, 1991, Witte de With, Center for Contemporary Art, exhibition catalogue, pp. 6/7 (Dutch / English) .

• Danilo Eccher

  "Julião Sarmento: piccoli accenni critici", in Julião Sarmento: Lo Sguardo Selettivo, Torino, Italy, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 12-46 (Italian). Reprinted as "Julião Sarmento: a critical overview" in Julião Sarmento: A Selective Glance, Torino, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 12-46 (English).

• Atom Egoyan

  "Mnemosyne Project", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 221 (English). Reprinte in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 221 (Portuguese).

• Muriel Enjalran

  "Nu noir sur fond blanc / Black Nude on White Background", in Julião Sarmento - Silhouettes Noires 2002-2003, Paris, France, 2009, New Galerie de France, exhibition catalogue, pp. 7-8 and 9-10 (French / English).

• João Esteves de Oliveira

  "Collector's Choice", in Julião Sarmento - Collector's Choice, Lisboa, Portugal, 2005, João Esteves de Oliveira, Galeria Arte Moderna e Contemporânea, exhibition catalogue, p. 3 (Portuguese).

• Russell Ferguson

  "Impress the Forest", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 131 (English). Reprinted as "Pois quem tem poderes para a floresta armar" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 131 (Portuguese).

• João Fernandes

  "Dentro de casa", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, pp. 11-24 (Portuguese). Reprinted as "Indoors" in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 11-23 (English).

  "Julião Sarmento : Noites Brancas / White Nights", in Julião Sarmento - Noites Brancas / White Nights, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves, exhibition brochure, pp 2-7 (Portuguese / English).

• Clara Ferreira Alves

  "O meu amigo Julião... Careful", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 83 (Portuguese). Reprinted as "My Friend Julião... Careful" in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 83 (English).

  "Bauhaus Blues", in Julião Sarmento - Literal, Granada, Spain, 2008, Centro José Guerrero / Diputación de Granada / Fundación Mapfre, exhibition catalogue, pp. 108-114 (Spanish) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 278-281 (Portuguese).

  "S de Sadicida", in A Phala, nº 47, Lisboa, Portugal, 1996, Assírio & Alvim, magazine / exhibition catalogue, p. XII (Portuguese).

• Fernando Francés

  "Presentacion", in Julião Sarmento - 2000-2010, Málaga, Spain, 2010, CAC Málaga, exhibition catalogue, pp. 11-12 and 165 (Spanish / English).

• Branko Franceschi

  "Untitled", in Julião Sarmento: As Good As It Gets, Split, Croatia, 2016, Ustanova za kulturu Galerija Kula, Split, Galerija umjetnina, Split and Muzej suvremene umjetnosti, Zagreb, exhibition catalogue, p. 5 (Croatian / English).

• Rébecca François

  "L´écart, le fragment / Gaps and Fragments", in Julião Sarmento, Nice, France, 2014, MAMAC - Musée d'Art Moderne et d'Art Contemporain, Nice / Silvane Editoriale, Milano, exhibition catalogue, pp. 11-13 and 131-133 (French / English).

• Aurora García

  "En la piel de toro / On the Hide of the Bull: Julião Sarmento", in En la piel de toro, Madrid, Spain, 1997, Museo Nacional Centro de Arte Reina Sofía, Madrid / Palacio de Velázquez, exhibition catalogue, pp. 34 and 225 (Spanish / English).

  "A modo de epístola. Para Julião Sarmento / A Modo de Epístola. Para Julião Sarmento / By Way of an Epistle. For Julião Sarmento", in Julião Sarmento, Porto, Portugal, 1988, Galeria Atlântica, exhibition catalogue, pp. 5-7, 9-11 and 13-15 (Portuguese / Spanish / English). Reprinted as "A manera d'epístola. Per a Julião Sarmento" in Última Frontera: 7 artistes portuguesos, Barcelona, 1990, Centre d'Art Santa Mònica, exhibition catalogue, pp. 99-101 (Catalan).

• Hubertus Gaßner

  "Wo der Schmerz regiert / Where pain rules", in Julião Sarmento - Werke 1981-1996, München & Ostfildern, Germany, 1997, Haus der Kunst / Cantz Verlag, exhibition catalogue, pp. 9-43 and 44-74 (German / English) - Reprinted as "Ove regna il dolore" in Julião Sarmento, Bologna, 1998, Galleria d'Arte Moderna / Editrice Compositori, exhibition catalogue, pp. 9-43 and 44-74  (Italian / English).

• Douglas Gordon

  "Following Veins, Discovering Paths (Pornstar)", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 250 (English) - Reprinted in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 250 (Portuguese).

• Sasha Grey

  "I Want You", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 269 (English) - Reprinted as "Eu quero-te" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 269 (Portuguese).

• Herberto Helder

  "Aquele que dá a vida", in Juan Muñoz / Julião Sarmento, Beja, Portugal, 1993, Escudeiros, Galeria Municipal de Beja, exhibition catalogue, pp. 44-41 (Portuguese).

• Paulo Herkenhoff

  "Julião Sarmento: On Forests", in Julião Sarmento - Echo, Eindhoven, The Netherlands, 2004, Van Abbemuseum Eindhoven / Richter Verlag, exhibition catalogue, pp. 101-114 (English).

• Fernando Huici March

  "Al acecho de un cuerpo desmembrado / In Pursuit of a Dismembered Body", in Julião Sarmento - 2000-2010, Málaga, Spain, 2010, CAC Málaga, exhibition catalogue, pp. 58-64 and 167-170 (Spanish / English) - Reprinted as "A l'aguait d'un cos desmembrat" and "Lauern auf einen Zerstückelten Körper" in Julião Sarmento - 2000-2010, Palma, Mallorca, 2011, Es Baluard Museo d'Art Modern i Contemporani de Palma, exhibition catalogue, pp. 12-18, 70-76, 122-128 and 176-183 (Catalan / Spanish / English / German) - Reprinted as "Em busca de um corpo desmembrado" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 365-374 (Portuguese) .

• Chrissie Iles

  "Faces", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, pp. 54-55 (Portuguese) -  Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 54-55 (English).

  "Julião Sarmento's Secret Cinema", in Julião Sarmento, Barcelona, Catalunya, Spain, 2003, Ediciones Polígrafa - Colección 20_21, book, pp. 71-97 (English) - Reprinted as "El cine secreto de Julião Sarmento" in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 71-97 (Spanish) - Reprinted as "O cinema secreto de Julião Sarmento" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 296-308 (Portuguese) - Partially reprinted as "Faces" in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 54-55 (English) - Partially reprinted as "Faces" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 54-55 (Portuguese) - Reprinted as "El Cine Secreto de Julião Sarmento" in Julião Sarmento - Una Forma Extrema de Privacidad, México, D.F., 2013, Museo de Arte Carrillo Gil, exhibition catalogue, pp. 28-42 (Spanish / English) .

• Arcangelo Izzo

  "Julião Sarmento: La magia vicaria della pittura / Magic Vicar of Painting", in Julião Sarmento: La magia vicaria della pittura, Salerno, Italy, 1984, Lapis/Arte - Campo Edizioni, monograph, pp. I-XVI (Italian / English).

• María Jesús Ávila

  "Fixar a memória e produzir leituras críticas / Fijar la memoria y producir lecturas críticas / To establish memory and produce critical readings", in Julião Sarmento - Catalogue Raisonné, Numbered Editions, 1972-2006, Vol. 1, Badajoz, Spain, 2007, MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo / Junta de Extremadura, book and exhibition catalogue, pp. 70-74, 75-79 and 80-84 (Portuguese / Spanish / English).

  "Memory Piece (Two Friends)", in 1960-1980 Anos de normalozação artística nas colecções do Museu do Chiado, Castelo Branco, Portugal, 2003, Museu de Francisco Tavares Proença Júnior, exhibition catalogue, p. 120 (Portuguese).

  "Déjà Vu", in 1960-1980 Anos de normalozação artística nas colecções do Museu do Chiado, Castelo Branco, Portugal, 2003, Museu de Francisco Tavares Proença Júnior, exhibition catalogue, p. 122 (Portuguese).

• Cathrin Klingsöhr

  "Julião Sarmento", in Vom Haben und vom Wollen. Perspektiven für eine Staatsgalerie moderner Kunst. Eine Ausstellung, München, Germany, 1990, Staatsgalerie moderner Kunst, exhibition catalogue, p. 32 (German).

• Rolf H. Krauss

  "Julião Sarmento: Cave, 1978", in Kunst mit Photographie - Die Sammlung Dr. Rolf H. Krauss, Berlin, West Germany, 1983, Frölich & Kaufmann, book / exhibition catalogue, pp. 182-183 (German).

• Gabriel Kuri

  "Bulb White Dots: White Dots and Black Dots", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 303 (English) - Reprinted as "Bulb White Dots: Pontos brancos e pontos pretos" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 303 (Portuguese).

• Jacinto Lageira

  "Inversions, répétitions, vacuité certaine /", in Julião Sarmento, Nice, France, 2014, MAMAC - Musée d'Art Moderne et d'Art Contemporain, Nice / Silvane Editoriale, Milano, exhibition catalogue, pp. 15-23 and 135-142 (French / English).

  "Julião Sarmento: Parce que Rose, c'est la vie", in Julião Sarmento, Lisboa, 2013, Cristina Guerra Contemporary Art, exhibition flyer (Portuguese / English).

  "Julião Sarmento: Les Absents et le Présent", in Regard Oblique. Essais sur la perception, Paris, France, 2013, Collection Essais, La Lettre Volée, book, pp.395-400 (French).

  "Lady-in-Waiting", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 334 (English) - Reprinted in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 334 (Portuguese).

  "The Finger in the Body", in julião Sarmento - Withholding: Works 1994-2006, Santander, Spain, 2006, Fundación Marcelino Botín, exhibition catalogue, pp. 39-52 and 53-66 (Spanish / English) - Reprinted as "O dedo no corpo" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 347-364 (Portuguese).

  "O Texto e a sua Figura", in De Dentro: 6 contemporary portuguese artists, Moscow / Nizhny Novgorod, Russia, 2006, NCCA National Centre for Contemporary Arts, exhibition catalogue, pp.81-87 ( English ( Russian ).

• Gregory Lang

  "Julião Sarmento: Estoril Yellow Plants", in Artists and Architecture - Variable Dimensions, Paris, France, 2015, Pavillon de l'Arsenal, book and exhibition catalogue, p. 219 (French/English).

• Pedro Lapa

  "1947", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 62 (Portuguese) -  Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 62 (English).

  "O desejo para onde o desejo aponta: os trabalhos de Julião Sarmento da década de 1970", in Julião Sarmento - Trabalhos dos anos 70, Lisboa, Portugal, 2002, Museu do Chiado - Museu Nacional de Arte Contemporânea, exhibition catalogue, pp. 3-35 (Portuguese) - Reprinted as "The desire to which desire points: Julião Sarmento's works of the 70's" in Julião Sarmento: Works from the 70's, Lisboa, Museu do Chiado - Museu Nacional de Arte Contemporânea, exhibition catalogue, pp. 3-35 (English) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 234-277 (Portuguese) - Partially reprinted in Na Paisagem - Colecção de Fundação de Serralves, Porto, 2002, Fundação de Serralves, exhibition catalogue, p. 64 (Portuguese).

• Margarita Ledo Andión

  "Pleumatic Soul", in Julião Sarmento - Without, Santiago de Compostela, 2018, CGAC Centro Galego de Arte Contemporânea, Exhibition catalogue, pp. 51-57 (Galician); 103-109 (Spanish); 155-161 (English).

• James Lingwood

  ""Lo que no está ahí..." / "What is not there..."", in Julião Sarmento - Withholding: Works 1994-2006, Santander, Spain, 2006, Fundación Marcelino Botín, exhibition catalogue, pp. 11-12 and 15-16 (Spanish / English).

  "Flashback", in Julião Sarmento - Flashback, Madrid, Spain, 1999, MNCARS Museo Nacional Centro de Arte Reina Sofía, exhibition catalogue, pp. 15-19 and 147-151 (Spanish / English) - Reprinted in Julião Sarmento - Flashback, Lisboa, 2000, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, exhibition catalogue, pp. 15-19 and 147-151 (Portuguese / English) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 201-207 (Portuguese).

• Maria Gabriel Llansol

  "As Linhas do Mundo / De Lijnen van de Wereld", in Triptico, Gent, Belgium, 1991, Museum van Hedendaagse Kunst / Europalia 91, exhibition catalogue, pp. 149-150 (Portuguese / Flemish).

• João Lopes

  "Sem título", in Tráfego – Antologia Crítica da Nova Visualidade Portuguesa, Porto, Portugal, 2001, Porto 2001/Jornal de Notícias, book, p. 114.

  "Imagem como Olhos", in Cinema à Margem - VII Encontro de Cinema de Formato Reduzido, Lisboa, Portugal, 1981, Cinemateca Portuguesa / Direcção-Geral da Acção Cultural / Nucleo dos Cineastas Independentes, exhibition catalogue, pp. 18-19 (Portuguese) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 19-20 (Portuguese).

• Claude Lorent

  "Julião Sarmento: L'art et la petite danseuse", in Galerie Templon 50 Years, Paris, France, 2016, Galerie Templon, Paris & Brussels, p. 891.

• Teresa Macrì

  "La macchina del desiderio: Julião Sarmento", in Cinemacchine del desiderio, Milano, Italy, 1998, Costa & Nolan, book, pp. 88-105 - Reprinted as "A máquina do desejo: Julião Sarmento" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp.169-188 (Portuguese).

• Sérgio Mah

  "Horizonte experimental", in O Fotógrafo Acidental: Serialismo e Experimentação em Portugal, 1968-1980, Lisboa, Portugal, 2017, Culturgest, Exhibition catalogue, pp. 22-32 (Portuguese).

  "Allestire lo spazio, sbiancare la narrazione", in Julião Sarmento: Lo Sguardo Selettivo, Torino, Italy, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 52-94 (Italian). Reprinted as "Staging space, whitening narrative" in Julião Sarmento: A Selective Glance, Torino, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 52-94 (English).

  "Descem por ela as mãos da noite", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 78 (Portuguese) -  Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 78 (English).

  "A indisciplina do retrato. Do circunstancial ao relacional / The indiscipline of the portrait: from the circumstancial to the relational", in Julião Sarmento - 75 fotografias, 35 mulheres, 42 anos, Bragança, Portugal, 2011, Babel, Lisboa and Centro de Arte Contemporânea Graça Morais / Câmara Municipal de Bragança, book / exhibition catalogue, 5-9 and 97-101 (Portuguese / English) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 399-404 (Portuguese).

• Bruno Marchand

  "La construcción de la mirada / The Construction of the Gaze", in Julião Sarmento - Serie “Grey Ping-Pong” / “Lo Spazio Tra Le Cose” / “Encore” / “O Raio Sobre o Lápis” / “Outros trabajos)” Series, Barcelona, Catalunya, Spain, 2010, Ediciones Polígrafa, book, pp. 57 and 58 (Spanish / English).

  "Apresentação", in Julião Sarmento. Parousia, Porto, 2013, Cooperativa Árvore, exhibition catalogue, pp. 7-11 (Portuguese / English).

• Bartomeu Marí

  "Julião Sarmento", in Julião Sarmento - Trabalhos dos anos 70, Lisboa, Portugal, 2002, Museu do Chiado - Museu Nacional de Arte Contemporânea, exhibition catalogue, pp. 37-45 (Portuguese) -  Reprinted in Julião Sarmento: Works from the 70's, Lisboa, Museu do Chiado - Museu Nacional de Arte Contemporânea, exhibition catalogue, pp. 37-45 (English). .

• Bruno Marques

  "Apresentação: Ecos de um eco", in Sobre Julião Sarmento, Lisboa, Portugal, 2012, Quetzal, book, pp. 14-16 (Portuguese).

  "Julião Sarmento com James Joyce: melancolia e narcisismo", in Arte e Melancolia, Lisboa, Portugal, 2011, Instituto de História da Arte / Estudos de Arte Contemporânea. Centro de Estudos de Comunicação e Linguagens – Universidade Nova de Lisboa, book, pp.475 – 502.

  "Os Tableaux Vivants de Julião Sarmento: Sade, Erotismo e Cinema Experimental", in Arte & Erotismo, Lisboa, Portugal, 2012, Instituto de História da Arte / Estudos de Arte Contemporânea. FCSH-Universidade Nova de Lisboa, book, pp.325 – 351.

• Juan Carlos Marset

  "La máscara de Gorgo", in Julião Sarmento, Barcelona, Catalunya, Spain, 2003, Ediciones Polígrafa - Colección 20_21, book, pp. 223-227 (Spanish) - Reprinted as "The Gorgon's Mask" in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 223-227 (English) - Reprinted in Julião Sarmento - Literal, Granada, 2008, Centro José Guerrero, exhibition catalogue, pp. 50-60 (Spanish) - Reprinted as "A máscara de Gorgo" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 309-316 (Portuguese) .

• Marcello Mattos Araujo

  "Apresentação", in Julião Sarmento - Grace Under Pressure / Elegância em Tensão, São Paulo, SP, Brazil, 2010, Estação Pinacoteca, Pinacoteca do Estado de São Paulo, exhibition catalogue, p. 7 (Portuguese).

• Maria João Mayer Branco

  "Stone Grey White Cream", in Julião Sarmento - Women, Houses, Plants (2008-2011), Lisboa, Portugal, 2012, Galeria João Esteves de Oliveira and Edições Almedina S.A., book, pp. 139-141 (Portuguese).

• Rita McBride

  "Julião's Missing Hologram", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, pp. 186-189 (English) -  Reprinted as "O holograma ausente de Julião" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 186-189 (Portuguese).

• Wim Meewis

  "Julião Sarmento", in Europese Ontmoetingen, Antwerpen, Belgium, 1993, t' Elzenveld, exhibition catalogue, p. 56 (Flemish / English).

• Alexandre Melo

  "Da quanto tempo?", in Julião Sarmento: Lo Sguardo Selettivo, Torino, Italy, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 100-147 (Italian). Reprinted as "How long?" in Julião Sarmento: A Selective Glance, Torino, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 100-147 (English).

  "Tom Brown", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 280 (Portuguese) -  Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 280 (English).

  "La importancia de ser actual / The importance of Being Contemporary", in Julião Sarmento - Serie “Amazonas” / “Plateau” / “Cerco” / “Beja” / “Regine” / “The Awful Shapes of the Trees” Series, Barcelona, Catalunya, Spain, 2009, Ediciones Polígrafa, book, p. 62 (Spanish / English).

  "Tales of Dirty Realism: Julião Sarmento versus Raymond Carver", in Julião Sarmento - Literal, Granada, Spain, 2008, Centro José Guerrero / Diputación de Granada / Fundación Mapfre, exhibition catalogue, pp. 64-68 (Spanish) (reprint).

  "Julião Sarmento: Encenações do desejo", in Julião Sarmento, Lisboa, Portugal, 2005, Caminho, Lisboa / Edimpresa, book, pp. 5-28 (Portuguese).

  "El monstruo en el acuario", in Julião Sarmento, Barcelona, Catalunya, Spain, 2003, Ediciones Polígrafa - Colección 20_21, book, pp. 199-203 (Spanish). Reprinted as "The Monster in the Aquarium" in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 199--203 (English)..

  "Vício Branco / White Addiction", in 25ª Bienal de São Paulo - Iconografias Metropolitanas, São Paulo, SP, Brazil, 2002, Fundação Bienal de São Paulo, exhibition catalogue, Volume CIDADES, pp. 389-390 (Portuguese / English).

  "Julião Sarmento", in Artes plásticas em Portugal: dos anos 70 aos nossos dias, Lisboa, Portugal, 1998, Difel, book, p. 144.

  "Territory of Desire / Il Territorio del Desiderio", in Julião Sarmento, Venezia, Italy, 1997, XLVII Biennale di Venezia, Padiglione Portoghese / IAC Instituto de Arte Contemporânea, Ministério da Cultura, Portugal, book, pp. 10-13 and 14-17 (English / Italian).

  "Territory of Desire", in Julião Sarmento, Milano, Italy, 1997, Electa, book, pp. 09-44 (English) - Reprinted as “O território do desejo” in Julião Sarmento, Lisboa, 1997, Assírio & Alvim, book, pp. 9-44 (Portuguese).

  "O Território do Desejo", in Julião Sarmento, Lisboa, Portugal, 1997, Assírio & Alvim, book, pp. 09-44 (Portuguese).

  "Julião Sarmento", in BV 97, La Biennale di Venezia - XLVII Esposizione Internazionale d'Arte, Venezia, Italy, 1997, Electa, Milano, exhibition catalogue, p. 483 (English).

  ""Suspense" of het spel van vertrouwdheid en verrassing / "Suspense" or the game of familiarity and surprise", in Julião Sarmento, Eindhoven, The Netherlands, 1996, Van Abbemuseum entr'acte, exhibition catalogue, pp. 3-4 and 13-14 (Dutch / English).

  "Milhões de Imagens sobre Imagens", in A Phala, nº 47, Lisboa, Portugal, 1996, Assírio & Alvim, magazine / exhibition catalogue, pp. XII-XIII (Portuguese) - Reprinted as "Millones de imágenes sobre imágenes" in Julião Sarmento - Literal, Granada, 2008, Centro José Guerrero, exhibition catalogue, pp. 100-104 (Spanish).

  "Blanco del color de la noche / Blanc del color de la nit / Night White", in Julião Sarmento, València, Spain, 1994, IVAM Centre del Carme, exhibition catalogue, pp. 09-12, 98-101 and 108-111 (Spanish / Catalan / English) .

  "Estranheza e Familiaridade", in Julião Sarmento - Pintura, Faro, Portugal, 1993, Arco - Galeria Municipal de Arte, exhibition folder, p. 2 (Portuguese).

  "Quatro Artistas Portugueses Contemporâneos: Sarmento - Calapez - Croft - Sanches", in Nova Pintura e Nova Escultura Portuguesa, Macau, China, 1992, Galeria da Casa Garden, exhibition catalogue, pp. 5-7 and 8-9 (Portuguese / Chinese) - Reprinted as "Four Contemporary Portuguese Artists" in Julião Sarmento, Pedro Calapez, José Pedro Croft, Rui Sanches, Hong Kong, 1992, Ho Gallery World Art, exhibition catalogue, insert (English).

  "Julião Sarmento. Les imatges obsessives: Les imatges obsessives", in Última Frontera: 7 artistas portuguesos, Barcelona, Catalunya, Spain, 1990, Centre d'Art Santa Mònica, exhibition catalogue, pp. 93-96 (Catalan) - Partially reprinted in Tradición, Vangarda e Modernidade do Século XX Portugués, Consorcio da Cidade de Santiago de Compostela, 1993, Auditorio de Galicia, exhibition catalogue, p. 160 (Galician / Spanish).

  "Julião Sarmento: As velocidades da pele / The Swiftness of Skin", in Julião Sarmento: As Velocidades da pele, Lisboa, Portugal, 1989, Galeria Cómicos Editores, book, pp. 7-25 and 27-44 (Portuguese / English) - Reprinted in Julião Sarmento - Jornal da exposição, Porto, 1992, Fundação de Serralves, brochure, pp. 3-7 (Portuguese) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 45-72 (Portuguese).

  "La chronique scandaleuse", in Quatrièmes Ateliers Internationaux des Pays de La Loire, Fontevraud, France, 1987, FRAC Pays de La Loire, exhibition catalogue, pp. 62-63 (French / English).

• Pedro Mexia

  "Este obscuro", in Imagens Imaginadas, Lisboa, Portugal, 2019, Tinta da China, book, pp.151 – 154.

• Eva Meyer-Hermann

  "Echo", in Julião Sarmento - Echo, Eindhoven, The Netherlands, 2004, Van Abbemuseum Eindhoven / Richter Verlag, exhibition catalogue, pp. 9-16 (English).

• Catherine Millet

  "Consentimento Evocativo de Ternuras", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 178 (Portuguese) -  Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 178 (English).

• Jorge Molder

  "Untitled", in Julião Sarmento, Lisboa, Portugal, 1993, Centro de Arte Moderna, Fundação Calouste Gulbenkian, exhibition catalogue, pp. 6-7 (Portuguese / English).

• Maria Filomena Molder

  "Temperaturas / Temperatures", in Juan Muñoz / Julião Sarmento, Beja, Portugal, 1993, Escudeiros, Galeria Municipal de Beja, exhibition catalogue, pp. 8-13 and 13-16 (Portuguese / English).

  "Uma forma inaudita de consolação / An unheard-of form of consolation", in Julião Sarmento, Lisboa, Portugal, 1993, Centro de Arte Moderna, Fundação Calouste Gulbenkian, exhibition catalogue, pp. 22-26 and 27-31 (Portuguese / English) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 118-126 (Portuguese).

• Stuart Morgan

  "'Just a Song at Twilight' - The House With the Upstairs in it: Themes and Variations", in The House With the Upstairs in it, London, England, UK, 1998, London Projects, brochure (English).

• Martina Munivrana

  "Untitled", in Julião Sarmento: As Good As It Gets, Split, Croatia, 2016, Ustanova za kulturu Galerija Kula, Split, Galerija umjetnina, Split and Muzej suvremene umjetnosti, Zagreb, exhibition catalogue, p. 9 (Croatian / English).

• Juan Muñoz

  "A Imagem proibida / La imagen prohibida / The prohibited image", in Julião Sarmento, Porto, Portugal, 1992, Fundação de Serralves, exhibition catalogue, pp. 10, 14 and 16 (Portuguese / Spanish / English) - Reprinted in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 11-14 (Spanish) - Reprinted in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 11-14 (English) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 106-108 (Portuguese) .

• Leonor Nazaré

  "An Involved Story", in 100 Obras da Colecção do CAM, Lisboa, Portugal, 2009, Fundação Calouste Gulbenkian, book, p.198.

  "Not Walking Away From Me: What do you think I'd see if I could walk away from me!", in Julião Sarmento, Rotterdam, The Netherlands, 1991, Witte de With, Center for Contemporary Art, exhibition catalogue, pp. 16-30 (Dutch / English) .

• Irene Netta

  "Julião Sarmento", in Das Gedächtnis öffnet seine Tore - Die Kunst der Gegenwart im Lenbachhaus, München, Germany, 1999, Städtischen Galerie im Lenbachhaus / Cantz Verlag, exhibition catalogue, p. 190 (German).

• Ricardo Nicolau

  "Porquê olhar para leopardos?", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 43 (Portuguese) -  Reprinted as "Why Look at Leopards?" in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 43 (English).

  "De Editor a Editor / From Editor to Editor", in Julião Sarmento - 2000-2010, Málaga, Spain, 2010, CAC Málaga, exhibition catalogue, pp. 100-105 and 171-173 (Spanish / English) - Reprinted as "D'Editor a Editor" and "Von Herausgeber zu Herausgeber" in Julião Sarmento - 2000-2010, Palma, Mallorca, 2011, Es Baluard Museo d'Art Modern i Contemporani de Palma, exhibition catalogue, pp. 20-24, 78-82, 130-134 and 184-189 (Catalan / Spanish / English / German) - Reprinted as "De Editor a Editor" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 375-380 (Portuguese) .

• Kathy Noble

  "Reel Time: Julião Sarmento", in Julião Sarmento - Reel Time, Lisboa, Portugal, 2018, Cristina Guerra Contemporary Art, Poster/Catalogue.

• Filipa Oliveira

  "Na linha do olhar", in Julião Sarmento - Collector's Choice, Lisboa, Portugal, 2005, João Esteves de Oliveira, Galeria Arte Moderna e Contemporânea, exhibition catalogue, pp. 5-7 (Portuguese).

• Santiago B. Olmo

  "What Is Not Seen", in Julião Sarmento - Without, Santiago de Compostela, 2018, CGAC Centro Galego de Arte Contemporânea, Exhibition catalogue, pp. 11-17 (Galician); 61-67 (Spanish); 113-119 (English).

• Gosse Oosterhof

  "Voorwoord / Foreword: "...op weg naar het Zuiden paseer je altijd die mensen die willen blijven waar ze zijn" / "... heading South one always encounters those who want to stay where they are."", in Julião Sarmento, Rotterdam, The Netherlands, 1991, Witte de With, Center for Contemporary Art, exhibition catalogue, pp. 6/7 (Dutch / English) .

• Klaus Ottmann

  "Tirar a Renda e Soprar na Flor", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 177 (Portuguese) -  Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 177 (English).

• Carlos E. Palacios

  "Julião Sarmento: Una forma extrema de privacidad / An Extreme Form of Privacy", in Julião Sarmento - Una Forma Extrema de Privacidad, México, DF, Mexico, 2013, Museo de Arte Carrillo Gil, exhibition catalogue, pp. 18/26 (Spanish / English).

• Philippe Parreno

  "Close", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 231 (English) - Reprinted in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 231.

• Riccardo Passoni

  "Sarmento", in Julião Sarmento: Lo Sguardo Selettivo, Torino, Italy, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 152-180 (Italian). Reprinted as "Sarmento" in Julião Sarmento: A Selective Glance, Torino, 2014, GAM Galleria Civica d’Arte Moderna e Contemporanea, Torino and Silvana Editoriale, Milano, exhibition catalogue, pp. 152-180 (English).

• Bettina Pauly

  "Julião Sarmento", in Metropolis, Berlin, Germany, 1991, Martin-Gropius-Bau / Rizzoli, New York, exhibition catalogue, pp. 310-311 (English).

  "Julião Sarmento: Außer Atem (Sem Fôlego)", in Julião Sarmento - Gemälde und Arbeiten auf Papier, Schwäbisch Hall, Germany, 1990, Städtische Galerie am Markt, exhibition catalogue, pp. 5/6 (German).

• Marga Paz

  "Julião Sarmento", in Julião Sarmento, Lisboa, Portugal, 1985, Galeria Cómicos, exhibition catalogue, pp. 3-6 (Portuguese / English).

• Gilbert Perlein

  "L´écart, le fragment / Gaps and Fragments", in Julião Sarmento, Nice, France, 2014, MAMAC - Musée d'Art Moderne et d'Art Contemporain, Nice / Silvane Editoriale, Milano, exhibition catalogue, pp. 11-13 and 131-133 (French / English).

• Fernando Pernes

  "Untitled", in Julião Sarmento, Porto, Portugal, 1992, Fundação de Serralves, exhibition catalogue, pp. 10/11 (Portuguese / English)..

• João Pinharanda

  "Lugar geométrico do coração / Geometrical place of the heart", in Julião Sarmento - What Makes a Writer Great, Lisboa, Portugal, 2011, Fundação EDP, Sala do Cinzeiro 8, exhibition catalogue, pp. 2 and 3 (Portuguese / English).

  "Lugar geométrico do coração", in Julião Sarmento: What Makes A Writer Great, Lisboa, Portugal, 2011, Museu da Electricidade – Cinzeiro 8, poster.

  "Indicios de fiebre / Signs of Fever", in Julião Sarmento - Serie “Laura and Alice” / “Ataque” / “Hand” / “Febre” / “PDDA (Pequenos Desenhos De Amor)”, Barcelona, Catalunya, Spain, 2010, Ediciones Polígrafa, book, pp. 60 and 61 (Spanish / English) .

  "Essay on the human voice", in Julião Sarmento - Queluz, Queluz, Portugal, 2005, Palácio Nacional de Queluz / I.P.P.A.R. / Ministério da Cultura, Lisboa, exhibition catalogue, pp. 7-11 and 12-17 (Portuguese / English).

  "O triângulo dourado", in Modos Afirmativos e Declinações, Lisboa, Portugal, 2001, Instituto de Arte Contemporânea, Ministério da Cultura, exhibition catalogue, p. 121 (Portuguese) -  Partially reprinted as "The Golden Triangle" in Modos Afirmativos e Declinações, Lisboa, 2001, Instituto de Arte Contemporânea, Ministério da Cultura, exhibition brochure, p. 30 (Portuguese / English).

  "Modos Afirmativos e Declinações", in Modos Afirmativos e Declinações, Lisboa, Portugal, 2001, Instituto de Arte Contemporânea, Ministério da Cultura, exhibition catalogue, pp. 11-12 (Portuguese).

  "A diferença do desenho (para Emma)", Lisboa, Portugal, 1991, Galeria Diferença, exhibition text (Portuguese).

  "Julião Sarmento", in Lusitanies - aspect de l'art contemporain portugais, Albi, France, 1987, Centre Culturel de l'Albigeois, exhibition catalogue, p. 35 (French).

  "Julião Sarmento", in Prospect 86, Eine Internationale Ausstellung aktueller Kunst, Frankfurt, Germany, 1986, Frankfurter Kunstverein / Schirn Kunsthalle, exhibition catalogue, p. 170 (German).

  "Sarmento", in Christa Dichgans, Lili Dujourie, Marlene Dumas, Lesley Foxcroft, Kees de Goede, Frank van Hemert, Cristina Iglesias, Harald Klingelhöller, Mark Luyten, Juan Muñoz, Katherine Porter, Julião Sarmento, Barbara Schmidt Heins, Gabriele Schmidt-Heins, Didier, Eindhoven, The Netherlands, 1985, Stedelijk Van Abbemuseum, exhibition catalogue, pp. 74-76 (English) - Reprinted as "Sem título" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp.21-24 (Portuguese).

• Bernardo Pinto de Almeida

  "Julião Sarmento: Depois do Modernismo", in Arte Portuguesa no Século XX - Uma história crítica, Matosinhos, Porto, 2016, Coral Books - Cardume Editores, book, pp. 361-364 (Portuguese).

  "Julião Sarmento: uma dramaturgia branca", in Sobre Julião Sarmento, Lisboa, Portugal, 2012, Quetzal Editores, book, pp.217-224 (Portuguese).

  "Julião Sarmento", in Um Olhar sobre a Arte Contemporânea Portuguesa, Porto, Portugal, 1988, Casa de Serralves, exhibition catalogue, p. 21 (Portuguese).

• Dalila Pinto de Almeida

  "Julião Sarmento: Junho 2018", in Visita Privada - Ateliês e Artistas, Lisboa, Portugal, 2019, Guerra e Paz, S.A., book, pp. 83 - 93 (Portuguese).

• Annelie Pohlen

  "Got oder Geißel?: Eine Frage ohne Antwort", in Kunstforum International, nº 46, 4/81, September-November, Köln, Germany, 1981, exhibiton catalogue / magazine, pp. 96 and 113 (German).

• José Luís Porfírio

  "Meu caro Julião Sarmento", in Julião Sarmento: Jaula/Cage e Trabalhos Recentes, Porto, Portugal, 1978, Centro de Arte Contemporânea / Museu Nacional de Soares dos Reis, exhibition catalogue, p. 10 (Portuguese).

• Nadine Pouillon

  "Julião Sarmento", in Regard Multiple - Acquisitions de la Société des Amis du Musée national d'art moderne, Paris, France, 1992, Centre Pompidou, exhibition catalogue, p. 43 (French).

• Kevin Power

  "Talking about what makes a writer great: writing about what makes a talker great", in Julião Sarmento, Barcelona, Catalunya, Spain, 2001, Galería Joan Prats, exhibition catalogue, pp. 5-11 and 35-39 (Spanish / English) - Reprinted in Julião Sarmento - Serie "What Makes a Writer Great" / The "What Makes a Writer Great" Series, 2000/2001, 2007, Ediciones Polígrafa, book, pp. 53-57 and 58-62 (Spanish / English).

  "Julião Sarmento: "Vuelvo a casa esta noche" y/o "El azucar es tan dulce ahora"", in Julião Sarmento - Obras sobre Papel. 1981-1986, Sevilla, Spain, 1991, Fundación Luis Cernuda, exhibition catalogue, p. 7-33 (Spanish / English) - Reprinted as "Julião Sarmento: Volto a casa esta noite" e/ou "O açúcar é tão doce agora" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 76-105 (Portuguese).

  "Julião Sarmento: Imágenes de los intersticios del deseo", in Julião Sarmento, Málaga, Spain, 1986, Museo de Bellas Artes de Málaga, exhibition catalogue, pp. 3-8 (Spanish).

• Patrícia Rosas

  "Noites Brancas", in 100 Obras da Colecção do CAM, Lisboa, Portugal, 2009, Fundação Calouste Gulbenkian, book, p.148.

• Glen Rubsamen

  "Julião's Missing Hologram", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, pp. 186-189 (English) -  Reprinted as "O holograma ausente de Julião" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 186-189 (Portuguese).

• Diana Saldaña Alfonso

  "Julião Sarmento", in Terrae Motus - La collezione Amelio alla Regia di Caserta, Caserta, Italy, 2001, Skira, book / exhibition catalogue, p. 209 (Italian).

• James Salter

  "Raphael", in Julião Sarmento - Artists and Writers / House and Home, Southampton, NY, USA, 2011, Parrish Art Museum, exhibition catalogue, pp. 17-22 (English) - Reprinted as "Rafael" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 390-398 (Portuguese).

• Delfim Sardo

  "ffwd = rwd", in Julião Sarmento TIMELINE, Lisboa, Portugal, 2018, Documenta / Fundação Carmona e Costa, Exhibition catalogue, pp. 205-214 (Portuguese); 215-223 (English).

  "Breathing", in The Raft - Art Is (Not) Lonely, Oostende, Belgium, 2017, MuZEEE / Lannoo, Exhibition catalogue, pp. 98/99 (English); Reprinted in "The Raft - Art Is (Not) Lonely", Oostende, 2017, MuZEE / Lannoo, exhibition catalogue, pp. 98/99 (French); Reprinted in "The Raft - Art Is (Not) Lonely", Oostende, 2017, MuZEE / Lannoo, exhibition catalogue, pp. 98/99 (Dutch);.

  "Uma imagem ao lado de outra não são duas imagens", in O Fotógrafo Acidental: Serialismo e Experimentação em Portugal, 1968-1980, Lisboa, Portugal, 2017, Culturgest, Exhibition catalogue, pp. 6-20 (Portuguese).

  "Julião Sarmento (1948)", in O Fotógrafo Acidental: Serialismo e Experimentação em Portugal, 1968-1980, Lisboa, Portugal, 2017, Culturgest, Folder, p. 4 (Portuguese).

  "Risco Inerente / Inherent Risk", in Julião Sarmento: Risco Inerente / Inherent Risk, Coronado, Portugal, 2015, Bial, Coronado, book; pp. 13-32 (Portuguese) and 261-273 (English).

  "Beja", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 126 (Portuguese) - Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 126 (English).

  "1947", in Obras-primas da Arte Portuguesa. Século XX – Artes Visuais, Lisboa, Portugal, 2011, Babel, book, p.86.

  "Dias de Escuro e de Luz – II (Jarro)", in Obras-primas da Arte Portuguesa. Século XX – Artes Visuais, Lisboa, Portugal, 2011, Babel, book, p.100.

  "O lugar da mulher invisível", in Julião Sarmento - Grace Under Pressure / Elegância em Tensão, São Paulo, SP, Brazil, 2009, Estação Pinacoteca, Pinacoteca do Estado de São Paulo, exhibition catalogue, pp. 10-20 (Portuguese).

  "Fibrilações", in Abrir a Caixa. Obras da Colecção da Caixa Geral de Depósitos, Lisboa, Portugal, 2009, Fundação Caixa Geral de Depósitos – Culturgest, book, p.126.

  "Literal", in Julião Sarmento - Literal, Granada, Spain, 2008, Centro José Guerrero / Diputación de Granada / Fundación Mapfre, exhibition folder, pp. 1-2 (Spanish).

  "Fantasmata", in Julião Sarmento - Série "Silhuetas Negras" / The "Black Silhouette" Series, Lisboa, Portugal, 2007, Cristina Guerra Contemporary Art, book, pp. 61-65 and 67-71 (Portuguese / English) - Reprinted as "Fantasmata" in A Visão em Apneia. Escritos sobre Artistas, Lisboa, 2011, Babel, book, pp. 257-263 (Portuguese).

  "Preâmbulo / Preámbulo / Forword", in Julião Sarmento - Catalogue Raisonné, Numbered Editions, 1972-2006, Vol. 1, Badajoz, Spain, 2006, MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo / Junta de Extremadura, book and exhibition catalogue, pp. 9, 23 and 38 (Portuguese / Spanish / English).

  "Print Matters: As edições em contexto na obra de Julião Sarmento / Las ediciones en contexto en la obra de Julião Sarmento / Editions in the oeuvre of Julião Sarmento", in Julião Sarmento - Catalogue Raisonné, Numbered Editions, 1972-2006, Vol. 1, Badajoz, Spain, 2006, MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo / Junta de Extremadura, book and exhibition catalogue, pp. 10-22, 24-37 and 39-51 (Portuguese / Spanish / English).

  "Deriva em Volta / Drift Around", in Drift - John Baldessari / Julião Sarmento / Lawrence Weiner, Lisboa, Portugal, 2004, CCB Centro Cultural de Belém / Ministério da Cultura, exhibition catalogue, pp. 11-21 (Portuguese / English) - Partially reprinted in Drift - John Baldessari, Julião Sarmento, Lawrence Weiner, Lisboa, 2003, CCB Centro Cultural de Belém, exhibition folder, pp.1-3 (Portuguese / English).

  "O que fica entre duas imagens? / What remains between two images?", in Julião Sarmento - Domestic Isolation, Parada de Tibães, Braga, Portugal, 2002, Galeria Mário Sequeira, exhibition catalogue, pp. 4-5 and 6-7 (Portuguese / English).

  "Uma iconologia do intervalo / An Iconology of the Interval: repetição e montagem na obra de Julião Sarmento / repetition and montage in the work of Julião Sarmento", in Julião Sarmento: - me / What Makes a Writer Great, Funchal, Madeira, Portugal, 2001, Museu de Museu de Arte Contemporânea do Funchal - Fortaleza de São Tiago and Porta 33, FunchalArte Contemporânea do Funchal - Fortaleza de São Tiago, Funchal / Porta 33, exhibition catalogue, pp. I-VIII (Portuguese / English).

  "Augenblick", in Tage der Dunkelheit und des Lichts - Zeitgenössische Kunst aus Portugal, Bonn, Germany, 1999, Kunstmuseum Bonn, exhibition catalogue, pp. 120-132 (German) - Reprinted as “De relance. Repetição e montagem na obra de Julião Sarmento” in A Paixão em Apneia. Escritos sobre Artistas, Lisboa, 2011, Babel, book, pp. 247-255 (Portuguese) - Reprinted as “De relance. Repetição e montagem na obra de Julião Sarmento” in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp.189-200 (Portuguese).

  "Nebeneinander", in Nebeneinander - Jorge Molder / Rui Sanches / Julião Sarmento, Funchal, Madeira, Portugal, 1996, Porta 33, exhibition catalogue, pp. 5-10 and 11-15 (Portuguese / English).

  "A Paixão de Swan / Swan in Love", in Julião Sarmento, Sintra, Portugal, 1995, Palácio Nacional de Sintra, exhibition catalogue, pp. 09-12 and 13-16 (Portuguese / English) - Reprinted as "El cisne enamorado" in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 205-215 (Spanish) - Reprinted as "Swan in Love" in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 205-215 (English) - Reprinted as "Julião Sarmento. A paixão de Swan" in A Paixão em Apneia. Escritos sobre Artistas, Lisboa, 2011, Babel, book, pp. 241-245 (Portuguese) - Reprinted as "Julião Sarmento. A paixão de Swan" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 145-150 (Portuguese)
  .

• Augusto M. Seabra

  "Faces, Sombras e Mistérios numa Noite Portuguesa", in Monumental 95 - Mistérios de Lisboa, Lisboa, Portugal, 1995, Associação Cultural Saldanha, exhibition catalogue, pp. 163-169 (Portuguese).

• Adrian Searle

  "Close Distance", in Julião Sarmento - Close Distance, Madrid, Spain, 2011, La Casa Encendida, Madrid / Ediciones Polígrafa, Barcelona, exhibition catalogue, pp. 11-25 (English) - Reprinted as "Distancias cortas" in Julião Sarmento - Distancias Cortas, Madrid, 2011, La Casa Encendida, exhibition catalogue, pp. 11-25 (Spanish).

  "Absence is the Highest Form of Presence", in Absence is the Highest Form of Presence: Robert Gober, Julião Sarmento, Luc Tuymans, Deurle, Belgium, 2009, MDD Museum Dhondt-Dhaenens, exhibition catalogue, pp. 21-29 (Flemish / English).

  "1947", in Julião Sarmento, Barcelona, Catalunya, Spain, 2003, Ediciones Polígrafa - Colección 20_21, book, pp. 21-35 (Spanish) - Reprinted in Julião Sarmento, Barcelona, 2003, Ediciones Polígrafa, Colección 20_21, book, pp. 21-35 (English) - Reprinted in Julião Sarmento - Una Forma Extrema de Privacidad, México, D.F., 2013, Museo de Arte Carrillo Gil, exhibition catalogue, pp. 44-56 (Spanish / English) .

  "The Watcher Watched / El Observador Observado", in Julião Sarmento - Flashback, Madrid, Spain, 1999, MNCARS Museo Nacional Centro de Arte Reina Sofía, exhibition catalogue, pp. 91-99 and 111-119 (Spanish / English) - Reprinted as "O observador observado" in Julião Sarmento - Flashback, Lisboa, 2000, Centro de Arte Moderna José de Azeredo Perdigão, Fundação Calouste Gulbenkian, exhibition catalogue, pp. 91-99 and 111-119 (Portuguese / English) - Reprinted in MDD: Museum Door-Dacht, nº 2, Deurle, 2006, Museum Dhondt-Dhaenens, magazine/exhibition catalogue, pp. 27-35 (English).

  "Julião Sarmento", in Unbound - Possibilities in Painting, London, England, UK, 1994, Hayward Gallery, The South Bank Centre, exhibition catalogue, p. 90 (English).

  "Unbound", in Unbound: possibilities in painting, London, England, UK, 1994, Hayward Gallery, South Bank Centre, exhibition catalogue, pp. 8-21 (English).

• Nadia Sels

  "Julião Sarmento: Troubleyn in Trouble / Trouble in Troubleyn", in Troubleyn Laboratorium - Jan Fabre, Brussels, Belgium, 2016, Mercatorfonds, book, p. 119 (English).

• Nicholas Serota

  "Forget Me", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 267 (English) - Reprinted in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 267 (Portuguese).

• Harald Siebenmorgen

  "Zur Ausstellung", in Julião Sarmento - Gemälde und Arbeiten auf Papier, Schwäbisch Hall, Germany, 1990, Städtische Galerie am Markt, exhibition catalogue, pp. 5/6 (German).

• João Silvério

  "Bolje ne moze / As good as it gets", in Julião Sarmento: As Good As It Gets, Split, Croatia, 2016, Ustanova za kulturu Galerija Kula, Split, Galerija umjetnina, Split and Muzej suvremene umjetnosti, Zagreb, exhibition catalogue, pp. 13-15 (Croatian / English).

  "As sombras das palavras / The shadows of words", in Julião Sarmento: shadow pieces on Body frames, Coimbra, Portugal, 2015, Círculo de Artes Plásticas de Coimbra / ANOZERO - Bienal de Arte Contemporânea de Coimbra, exhibition catalogue, pp. 11-17 (Portuguese) and 79-84 (English).

  "O "Fim do mundo", acabado de ver / The "End of the world, just seen", in Os Descobrimentos e as Origens da Convergência Global / The Discoveries and The Origins of Global Convergence, Porto, Portugal, 2015, Câmara Municipal do Porto / Associação para a Divulgação da Cultura de Língua Portuguesa, book / exhibition catalogue, pp. 315-317 (Portuguese / English).

  "O Rumor da Sibila", in Notre Dame. Alice Joana Gonçalves / Julião Sarmento, Lisboa, Portugal, 2014, Projecto Travessa da Ermida - Ermida de Nossa Senhora da Conceição, exhibition catalogue, pp. 3 - 8 and pp. 47 - 52 (Portuguese / English).

  "Índex: arquivo e alteridade / archive and alterity", in Índex: Works by J. Sarmento, Curated by J. Silverio, Designed by P. Falcão, Elvas, Portugal, 2013, MACE Museu de Arte Contemporânea de Elvas / Câmara Municipal de Elvas, exhibition catalogue, pp. 75-80 (Portuguese / English).

• Noemi Smolik

  "Julião Sarmento", in Artists for Tichy, Tichy for Artists, Kutná Hora, Czech Republic, 2013, Galerii Strdoceskeho Krake / Tichy Ocean Foundation, exhibition catalogue, p. 507 (Czech / English).

• Nancy Spector

  "Julião Sarmento - "White Paintings": Das Gesehene ungesehen machen / Unseeing the Seen", in Julião Sarmento - Werke 1981-1996, München & Ostfildern, Germany, 1997, Haus der Kunst / Cantz Verlag, exhibition catalogue, pp. 167-172 and 173-178 (German / English) - Reprinted as "I "White Paintings" (dipinti bianchi)" di Julião Sarmento: la non visione della visione" in Julião Sarmento, Bologna, 1998, Galleria d'Arte Moderna / Editrice Compositori, exhibition catalogue, pp. 167-172 and 173-178 (Italian / English) - Reprinted as "As Pinturas Brancas de Julião Sarmento: não vendo o visto" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 151-163 (Portuguese)
  .

• Terrie Sultan

  "Julião Sarmento: Artists and Writers / House and Home", in Julião Sarmento - Artists and Writers / House and Home, Southampton, New York, USA, 2011, Parrish Art Museum, exhibition catalogue, pp. 11-15 (English) - Reprinted as "Julião Sarmento. Artistas e escritores/casa e lar" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 381-389 (Portuguese)

  .

• Michael Tarantino

  "Close (Atom Egoyan / Julião Sarmento)", in La Biennale di Venezia - 49. Esposizione Internazionale d'Arte - Plateau of Humankind, Venezia, Italy, 2001, Electa, Milano, exhibition catalogue, Volume 1, p. 126 (English).

  "Honest Pleasures", in Julião Sarmento - New Works, Nagoya, Japan, 2000, Akira Ikeda Gallery, exhibition catalogue, pp. 2-3 and 4-5 (English / Japanese).

  "A Conversation Piece", in A Conversation Piece: John Murphy - Julião Sarmento, Oxford, England, UK, 1998, Museum of Modern Art Oxford, exhibition catalogue, pp. 9-23 (English).

  "Eyes Without a Face", in Julião Sarmento - Casanova, New York, New York, USA, 1997, Sean Kelly Gallery, book / exhibition catalogue, pp. 5-9 (English) - Reprinted as "Ojos sin rostro" in Julião Sarmento - Literal, Granada, 2008, Centro José Guerrero, exhibition catalogue, pp. 136-142 (Spanish) - Reprinted as "Olhos sem um rosto" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 164-168 (Portuguese).

  "I Don't Want to See Landscapes / Ég vil ekki sjá landslag", in Absence / Presence - Christine Borland, Kristján Gudmundsson, Julião Sarmento, Kópavogur, Iceland, 1997, Kópavogur Art Museum, exhibition catalogue, pp. 4-7 and 32-35 (Icelandic / English).

  "The Figure In The Carpet: Notes on Julião Sarmento and Cindy Sherman", in From Beyond the Pale: Julião Sarmento and Cindy Sherman, Dublin, Ireland, 1994, Irish Museum of Modern Art, exhibition catalogue, pp. 5-28 (English).

  "Sexo, Filme e Arquitectura / Sex, Fil and Architecture", in Julião Sarmento, Lisboa, Portugal, 1993, Centro de Arte Moderna, Fundação Calouste Gulbenkian, exhibition catalogue, pp. 9-15 and 16-21 (Portuguese / English).

  "Untitled", in Julião Sarmento: Jornal da exposição, Porto, Portugal, 1992, Fundação de Serralves, brochure, p. 2 (Portuguese).

  "Julião Sarmento: Uma montagem de atracções / A montage of attractions", in Julião Sarmento, Porto, Portugal, 1992, Fundação de Serralves, exhibition catalogue, pp. 26-29 and 30-32 (Portuguese / English) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 109-117 (Portuguese) .

• William F. Van Wert

  "Close: Voyeurism and the Idea of the Baroque", in Image and Territory. Essays on Atom Egoyan, Waterloo, Ontario, Canada, 2007, Wilfrid Laurier University Press, book, pp. 295-305 (English)..

• Helena Vasconcelos

  "Kinderspiel", in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, pp. 116-117 (Portuguese) - Reprinted in Julião Sarmento - White Nights: A Retrospective, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 116-117 (English).

  "Julião Sarmento", in 11 European Painters / 11 Peintres Européens, Athens, Greece, 1985, National Gallery / Europalia MCMLXXXV, exhibition catalogue, pp. 119-122, 124-126 and 128-131 (Greek / English / French).

• Rui Vieira Nery

  "A Espada de Fogo de Santa Teresa / Saint Theresa's Sword of Flames", in Julião Sarmento - Fado (com Carminho), Lisboa, Portugal, 2013, Projecto Travessa da Ermida, Mercador do Tempo, Lda., exhibition catalogue, pp. 5-9 and 21-25 (Portuguese / English).

• Doris von Drathen

  "Places behind the eye", in Julião Sarmento - Catalogue Raisonné, Numbered Editions, 1972-2006, Vol. 1, Badajoz, Spain, 2006, MEIAC Museo Extremeño e Iberoamericano de Arte Contemporáneo / Junta de Extremadura, book and exhibition catalogue, pp. 52-57, 58-63 and 64-69 (Portuguese / Spanish / English).

  "Narrative Bildverweigerung", in Julião Sarmento - Künstler Kritisches Lexikon der Gegenwartskunst, München, Germany, 2001, Weltkunst und Bruckmann Verlag, monographic magazine, Ausgabe 55, Heft 22, pp. 3-11 (German) - Reprinted as "Concealing the Wound" in Vortex of Silence, Milano, 2004, Edizioni Charta, book, pp. 257-268 - Reprinted as "Ocultando a Ferida" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 317-333 (Portuguese).

• Miguel von Hafe Pérez

  "Dois gémeos, um artista e outras quantas questões / Two Twins, an artist and many other questions", in Julião Sarmento: Dois Gémeos / Two Twins, Matosinhos, Portugal, 2016, Blue Book / Câmara Municipal de Matosinhos, Catalogue, pp. 24-26 (Portuguese) and pp. 28-30 (English).

  "No fio da respiração", in Julião Sarmento "No fio da respiração", Matosinhos, Portugal, 2016, Galeria da Câmara Municipal de Matosinhos, Folder, p. 2.

  "No Fio da Respiração / At The Edge Of Breathing", in Julião Sarmento: No Fio da Respiração / At The Edge Of Breathing, Matosinhos, Portugal, 2016, Blue Book / Câmara Municipal de Matosinhos, exhibition catalogue, pp. 14-18 (Portuguese) and pp. 20-24 (English).

  "Julião Sarmento", in Un Museo Portugués - Fundação de Serralves, Santiago de Compostela, Spain, 1994, Auditorio de Galicia, exhibition catalogue, p. 75 (Portuguese / Spanish) - Reprinted in Fragmentos para um Museu Imaginário, Porto, 1994, Fundação de Serralves, exhibition catalogue, p. 86 (Portuguese / English).

• Neville Wakefield

  "Leporello", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 294 (English) - Reprinted in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 294 (Portuguese).

• Miguel Wandschneider

  "Julião Sarmento", in Slowmotion - Julião Sarmento, Caldas da Rainha, Portugal, 2000, Art Attack + Estgad, exhibition folder (Portuguese) - Reprinted in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 208-216 (Portuguese).

• Benjamin Weil

  "Dopelggänger, 2001", in Arte en el cambio de siglo: una selección de obras adquiridas en las dos últimas décadas / Art at the Turn of the Century: A Selection of Works AcquiredIn the Past Two Decades, Santander, Spain, 2017, Centro Botín, exhibition catalogue, p. 58 (Spanish / English).

  "Neutra Blue Lilies, 2011", in Arte en el cambio de siglo: una selección de obras adquiridas en las dos últimas décadas / Art at the Turn of the Century: A Selection of Works AcquiredIn the Past Two Decades, Santander, Spain, 2017, Centro Botín, exhibition catalogue, p. 60 (Spanish / English).

• Lawrence Weiner

  "Standing on the Horizon Watching Julião Sarmento", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 259 (English) - Reprinted in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 259.

• James Westcott

  "Dress-Tease", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, pp. 256-257 (English) - Reprinted as "Dress-tease" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, pp. 256-257 (Portuguese).

  "Julião Sarmento y el deseo de la arquitectura / Julião Sarmento and the Desire of Architecture", in Julião Sarmento - Withholding: Works 1994-2006, Santander, Spain, 2006, Fundación Marcelino Botín, exhibition catalogue, pp. 19-28 and 31-38 (Spanish / English).

• Ulrich Wilmes

  "Cromlech: Narrative Space", in Julião Sarmento - White Nights: A Retrospective, Porto, Portugal, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, Berlin, exhibition catalogue, p. 296 (English) - Reprinted as "Cromlech: espaço narrativo" in Julião Sarmento - Noites Brancas: Retrospectiva, Porto, 2012, Museu de Arte Contemporânea de Serralves / Hatje Cantz, exhibition catalogue, p. 296 (Portuguese).

• Uliana Zanetti

  "Julião Sarmento: La mostra e l'artista / Frammenti, montaggio e seduzione / Il mito di Baubo / I dipinti bianchi", in Julião Sarmento - Giornale di Mostra, Bologna, Italy, 1998, Galleria d'Arte Moderna, exhibition folder, pp. 1-4 (Italian).

• Armin Zweite

  "Metaphern der Erschütterung / Metaphors of Convulsion: Zu einigen Arbeiten von Julião Sarmento / The Art of Julião Sarmento", in Julião Sarmento - Bilder und Zeichnungen 1986-1988, München, Germany, 1988, Galerie Bernd Klüser, book, pp. 7-21 and 67-79 (German / English) - Reprinted in Julião Sarmento - Bilder und Zeichnungen 1986-1988, Erlangen, 1989, Städtische Galerie Erlangen, exhibition catalogue, pp. 7-21 and 67-79 (German / English) - Reprinted as "Metáforas de la convulsión. El arte de Julião Sarmento" in Julião Sarmento - Literal, Granada, 2008, Centro José Guerrero, exhibition catalogue, pp. 72-96 (Spanish) - Reprinted as "Metáforas da convulsão. Sobre algumas obras de Julião Sarmento" in Sobre Julião Sarmento, Lisboa, 2012, Quetzal, book, pp. 25-44 (Portuguese).

  "Julião Sarmento", in Documenta 8, Kassel, Germany, 1987, Weber & Weidemeyer, exhibition catalogue, Volume 2, p. 218 (German) - Reprinted in Farbe Bekennen - Zeitgenössische Kunst aus Basler Privatbesitz, Basel, 1988, Museum für Gegenwartskunst Basel / Wiese Verlag AG, exhibition catalogue, p. 82 (German) .